Expelled Expelled

If you’ve been following the movie Expelled, you’ll know what I think of it. Well, we may not need to worry about it any more. Premise Media, the company which produced Expelled, is being sued by Yoko Ono for appropriating her husband’s song, Imagine. I heard about this a while ago – it started when the Huffington Post, concluding that the use must have been authorized, blasted Ono for supporting Ben Stein’s pseudoscience documentary. This (erroneous) post drew her ire, and ultimately led to her filing this lawsuit to preserve her from being publicly identified with the film.

Now, lawsuits happen, and their mere filing is no guarantee of the filing party’s victory, especially in a copyright case where the infringing use constitutes only ten seconds or so. But a recent e-mail I received from Stein (I signed up for his newsletter for precisely this reason) seemed almost plaintive in urging me to see the movie, and see it now.

If you haven’t done so already, PLEASE SEE EXPELLED NOW; its future relies on you. Without strong support from leaders like you, EXPELLED could get tossed from the theaters. PLEASE get out to SEE EXPELLED THIS WEEK. Ben is risking his career by taking on the world’s leading atheists, and he can’t do it alone – he needs your support.

Apparently Stein is running scared. So let’s accept his challenge: go see Expelled while you still can, but theater-hop to avoid paying him. Or, donate the price of the ticket to the National Center for Science Education.

Credit where it’s due on the “truth ticket” idea, by the way.

Of course, Stein and his groupies are defending the claim, asserting their free speech right to appropriate material and use it fairly. In just a second, I’ll get to the law, but let’s take a minute to consider how elegantly this latest chapter fits in with Stein’s entire modus operandi. Stein has had to lie to interviewees, cheat away negative reviews, and now steal content to make his point. But if his claim had merit, would any of this be necessary? Apparently, Stein feels that a creationist’s right to make his argument comes with the right to violate objective tenets of morality along the way. Fascinating.

So what will come of this case? Ono’s lawyers have filed for a preliminary injunction, a standard procedural device that would pull Expelled from theaters on the theory that any continuing harm to Ono’s statutory rights ought to be stopped while a court adjudicates the merits. Expect a preliminary injunction to issue only if the court thinks Ono will win at trial. So will she win at trial? The way I see it, Mrs. Ono has two claims. The first is for copyright violation, and we know that Premise Media will defend on the grounds that it’s “fair use.” See 17 USC § 107. Their defense will be effective if the infringing use constitutes “transformative” criticism or parody of the appropriated content itself. There is no fair use right to usurp content to parody a third party (thanks to “Concerned” for reminding me). See Campbell v. Acuff-Rose Music, 510 U.S. 569 (1994). This defense is, actually, colorable. Alternately, the use may be de minimis, meaning the infringement is so minimal as to be meaningless. See Ringgold v. Black Entertainment Television, 126 F.3d 70 (2d Cir. 1997) (holding eight seconds’ coverage of an artists’ piece, in a thirty minute television show, not de minimis). The amount and extent of the usage is important for this defense, but its relationship to the overall piece is more important for deciding whether it actually is de minimis. If the material is basic to the message, or instrumental in making a point, even if short, the usage is probably not minimal. Not knowing much of the facts, Mrs. Ono’s copyright claim still looks weak. Alternately, Mrs. Ono would be well-served to sue under the “right of publicity,” a statutory beast of New York state (and most other jurisdictions) that redresses improper use of a person’s fame. The publicity right therefore goes directly to what Mrs. Ono is claiming – that her affiliation with the film has tarred her name. I hope she asserts both.

Legally, Mrs. Ono’s suit is a toss-up. But clearly Ben Stein & Premise Media are scared. And that’s a good thing.

(Update: Tim Sandefur from the Panda’s Thumb, and his own blog, Freespace, has a good article on this subject too.  Check it out here).

Leave a comment

  1. Good Post and analysis, I appreciate you writing them down and sharing them

  2. Concerned · ·

    The purpose of the film and the use of Imagine isn’t in order to satirize or parody Imagine, therefore the use of it is not covered by the fair use statutes.

    If the idea is that Ben Stein is attempting to parody the science of evolution, then he’s pretty well out of luck as far as the claim with Ono. You don’t get to use someone else’s song/art/work to parody a third party.

    All of this could have been avoided of course, if he’d just tried to make a deal with her for the song in the first place. But much like everything in the film Stein’s dishonesty took precedence.

  3. You’re absolutely right on the “no right to parody a third party” part. I had forgotten its specific use, truth be told. I’ll add that in!

    And thanks Wade!

  4. Is Yoko Ono “Mrs. Ono”?

  5. The Strawberry Fields Memorial in Central Park has the song’s name “Imagine” at its center. Central Park’s 2½-acre Strawberry Fields section is on land donated by the city. This section of the park gives the songs “Imagine,” “Strawberry Fields,” and the Beatles free advertising of incalculable value. So maybe Loco Yoko No-No should give back a little by allowing a movie (for-profit or not) to use about 15 seconds and 10 words of “Imagine” for free.

    There once was a lady named Yoko,
    who had a mind that was quite loco.
    When she tried to sue,
    she later did rue,
    ’cause the lawyers she faced were pro bono.

    My blog has some articles about Yoko’s suit:

    http://im-from-missouri.blogspot.com/2008/04/yoko-ono-sues-expelled-producers-over.html

    http://im-from-missouri.blogspot.com/2008/04/boycott-john-lennon-and-beatles.html

    http://im-from-missouri.blogspot.com/2008/04/bulldoze-strawberry-fields-who-in-hell.html

  6. Stein invoked “Godwin’s Law” but from the reviews, the pleas and the poll on an Expelled website, it looks like “God loses.”

  7. That email plea is priceless.

  8. “Apparently Stein is running scared”

    Or he is engaged in an excellent marketing campaign akin to the way Disney talks about putting movies “in the vault”- which it then re-releases a few year later with the same threat.

  9. Motive Entertainment already has said that it will defend the infringement claim as fair use. See http://motiveentertainment.createsend.com/viewEmail.aspx?cID=EEA85C4C1D1CCF47&
    sID=99BDE890D78CA9CD8A54066AFB113747&dID=5CB9CB5A1CE688CE]

    Their defense is for use as “social commentary.” Other commenters here have the correct approach, I think. You can’t justify using a work to comment on something else. Also, copyright law has a lot of black-hat / white-hat considerations; and what “Expelled” did is just plain sleazy. And “Imagine” isn’t the only part of the movie that they stole.

    Damages are not a major factor here. What Ben Stein fears, of course, is a preliminary injunction that would yank the movie out of theaters and stop the sale of DVDs to churches.

  10. “Ben is risking his career by taking on the world’s leading atheists”

    They don’t really seem to be trying very hard to keep up the pretense that any of this has anything to do with science.

  11. Larry Fafarman’s specious claims about the “incalculable value” of the song “Imagine” simply plays into Ono’s claim of damages to her and her late husband’s reputations – that there are reputations *to* be damaged. That is a consideration in these cases. Thanks, Larry, for helping Ono make her case.

    Anyway, do you really think you can make a case that the Beatles and John Lennon gained any *more* “incalcuable” fame just because of the existence of one monument in a park?

    Incidentally, Strawberry Fields in Central Park is not on “donated” land, the land is still part of Central Park and still owned and operated by the City of New York. Ono donated over 1 million dollars to renovate that section of the park, and the plaques and monuments there were paid for by her and other private donors. (It’s amazing what *facts* you can find out with 5 minutes of Googling.) It has proven to be a valuable tourist attraction for NYC as well, which is honored and delighted that it exists.

    So sorry, Larry, if anyone donated anything it was Ono donating *to* the city of New York, not the other way around. It’s no different than any other public monument, paid for with philanthropic donations and dedicated as a memorial to a distinguished citizen, in thousands of public parks around the world.

    As for pro bono lawyers, it still costs money to pursue a lawsuit, and Ono can ask for her legal fees in any settlement (and probably will). Anyway, she has plenty of money, and I’m sure there are lawyers that will work pro bono on it for her as well, if it comes to that. Her music publisher is party to the suit, and they have an army of lawyers on retainer anyway. But in the past Ono has proven herself more than willing to pay whatever it takes to defend her rights and her husband’s legacy in the courts.

    Be afraid, Larry. Be very afraid.

    Finally, your silly limerick, as well as your snide, juvenile attitude, is all the proof anyone needs of what kind of people are supporting this movie and its makers.

    As conservative author John Derbyshire noted, “You call yourself a conservative? Feugh! For shame, Ben Stein, for shame.”

  12. […] Southern District has issued a ruling: Ben Stein wins, Yoko Ono loses.  So you remember, Yoko Ono sued Stein over his “movie” Expelled, which appropriated to its use Ono’s […]